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  Need some advice on how to play Death Letter - Son House style

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Author Topic:   Need some advice on how to play Death Letter - Son House style
JohnyB
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posted 02-16-2003 14:03           Edit/Delete Message   Reply w/Quote
I recently bought the Newport Folk Festival - Best of the Blues 1959-1968. It's got a lot of great old blues guys playing on it. House does a tune called Death Letter.

Does any one know what tuning he's using? Also, he gets this really menacing sound in the background that almost sounds like a bee buzzing. Any ideas how to get that. That's actually the most important thing I need to know.

Ok, if you know the chords that would be great too.

Thanks,

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sam
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posted 02-16-2003 14:53           Edit/Delete Message   Reply w/Quote
i have no idea about the bee buzzing sound you are talking about. but the version i know of son doing "death letter" from "father of the delta blues" seems to me to be the "walking blues" riff in open g.

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JohnyB
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posted 02-16-2003 16:31           Edit/Delete Message   Reply w/Quote
It's not really a buzzing sound. It's like a humming whine that's low level and in the back ground. It's clearly coming from an instrument (the guitar I assue). It builds up a lot of tension.

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Adrian Freed
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posted 02-16-2003 18:36     Click Here to See the Profile for Adrian Freed   Click Here to Email Adrian Freed     Edit/Delete Message   Reply w/Quote
There is a Vestapol video with him playing that tune as I recall. Think big gestures with the right hand.

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hoodadoo
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posted 02-16-2003 19:45     Click Here to See the Profile for hoodadoo   Click Here to Email hoodadoo     Edit/Delete Message   Reply w/Quote
I know Son House played a majority of his open tuning stuff in D.

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Adrian Freed
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posted 02-16-2003 21:55     Click Here to See the Profile for Adrian Freed   Click Here to Email Adrian Freed     Edit/Delete Message   Reply w/Quote
Empire State Express, Death Letter, County Farm, My Black Mama and Dry Spell are all in Open G and yes, this one starts with the "Walkin' Blues" riff:


Death Letter

written by Eddie Son House
from Son House album The Original Delta Blues
tabbed by Adrian Dumchus (dumchusa@hotmail.com)

played in Open G (D G D G B D from low to high)

V - loud percussive down stroke with fingernails or thumb (rattle the string)
v - down stroke with thumb
^ - up stroke with index and/or middle finger
x - mute string
b - bend
~ - vibrato
T - thumb (on fretting hand)

play fretted notes inside (* *) with a slide


This should give you a basic idea of how the song is played. The strummed
parts don't always have to be exact as far as what strings to hit since
they're
not always the same on the album, just stay close to the strings that are
written.
I also put in some of the picking pattern (up/down stroke) to give an idea
of how he creates the rhythym - he uses a very loud/aggressive playing style
with a lot of banging on the guitar with the thumb (usually for when the
lowest
D string is hit alone) or fingernails (when more than one note is hit) which
I
tried to show with the capital V's.


Intro:
(play the intro 3 times, playing it faster each time)

(* *)

V ^ ^ ^ ^ v ^
D-|-----------3/5~-----|
B-|---------0--------0-|
G-|-----2/3-0--------0-| play 3x
D-|---0-2/3--------0---|
G-|---0------------0---|
D-|-3------------------|
T


1st verse:
v ^ v v ^ V ^ V ^ ^ V ^ V ^ ^ V ^ V
D-|---8-8-8-8-8-5h8-|-----0-0-0---0-0-|-----3-------3---|---3-------3---0-|
B-|-------------0---|-----0-0-0---0-0-|-----3-------3---|---3-------3---0-|
G-|-------------0---|---3-3-3-0---0-3-|-3b3b3b3b--3b3b--|---0-------0-3-0-|
D-|-0-------0---0---|-----0-0-0---0-0-|-0-0---0---0-0---|-0---0---0---0-0-|
G-|-0-------0---0---|-0---------------|-0-----------0---|-0---0---0---0-0-|
D-|-----x-----------|-----------------|-----------------|-----------------|
T
I got a letter this morning ... ... the girl you ...
is dead

(* *) (* *)
V V ^ v ^ v ^ v V V ^ v ^ v ^ v ^ v ^ ^ ^ ^ V ^ ^ ^
D-|-----5---8-----0-|-----5---8-----5-|-0-0-------3/5~--|-------------3/5~|
B-|---5---------5-0-|---5---------5-5-|-0-0-----0-------|-----------0-----|
G-|---5---5---5-5-0-|---5---5---5-5-5-|-0-0-2/3-0-------|-0-----2/3-0-----|
D-|/5-5---5---5-5-0-|/5-5---5---5-5-5-|-0-0-2/3---------|-0---0-2/3-------|
G-|/5-5---5---5---0-|/5-5---5---5---5-|-0-0-------------|-0---0-----------|
D-|-----------------|-----------------|-----------------|---3-------------|
T
I got a letter this morning ...

(* *) (* *)
V V ^ v ^ v ^ v V V ^ v ^ v ^ v ^ v ^ ^ ^ ^ V ^ ^ ^
D-|-----7---10----7-|-----5---8-----5-|-0-0-------3/5~--|-------------3/5~|
B-|---7---------7-7-|---5---------5-5-|-0-0-----0-------|-----------0-----|
G-|---7---7---7-7-7-|---5---5---5-5-5-|-0-0-2/3-0-------|-0-----2/3-0-----|
D-|/7-7---7---7-7-7-|/5-5---5---5-5-5-|-0-0-2/3---------|-0---0-2/3-------|
G-|/7-7---7---7---7-|/5-5---5---5---5-|-0-0-------------|-0---0-----------|
D-|-----------------|-----------------|-----------------|---3-------------|
T
...the girl ...

the rest of the verses:

v ^ v ^ ^ v V v ^ v ^ ^ v V v ^ v ^ ^ v V v ^ v ^ ^ v
D-|-----------------|-----------------|-----------------|-----------------|
B-|-------------0---|-0-----------0---|-0-----------0---|-0------------0--|
G-|---3b--3b--3b0---|-0-3b--3b--3b0---|-0-3b--3b--3b0---|-0-3b--3b---3b0--|
D-|---0---0---0-0---|-0-0---0---0-0---|-0-0---0---0-0---|-0-0---0----0-0--|
G-|-0---0-------0---|-0---0-------0---|-0---0-------0---|-0---0--------0--|
D-|---------------3-|---------------3-|---------------3-|-----------------|
T T T
Well I grabbed up my suitcase... ...on the ...

(* *) (* *)
V V ^ v ^ v ^ v V V ^ v ^ v ^ v ^ v ^ ^ ^ ^ V ^ ^ ^
D-|-----5---8-----0-|-----5---8-----5-|-0-0-------3/5~--|-------------3/5~|
B-|---5---------5-0-|---5---------5-5-|-0-0-----0-------|-----------0-----|
G-|---5---5---5-5-0-|---5---5---5-5-5-|-0-0-2/3-0-------|-0-----2/3-0-----|
D-|/5-5---5---5-5-0-|/5-5---5---5-5-5-|-0-0-2/3---------|-0---0-2/3-------|
G-|/5-5---5---5---0-|/5-5---5---5---5-|-0-0-------------|-0---0-----------|
D-|-----------------|-----------------|-----------------|---3-------------|
T
Well I grabbed up my suitcase...


(* *) (* *)
V V ^ v ^ v ^ v V V ^ v ^ v ^ v ^ v ^ ^ ^ ^ V ^ ^ ^
D-|-----7---10----7-|-----5---8-----5-|-0-0-------3/5~--|-------------3/5~|
B-|---7---------7-7-|---5---------5-5-|-0-0-----0-------|-----------0-----|
G-|---7---7---7-7-7-|---5---5---5-5-5-|-0-0-2/3-0-------|-0-----2/3-0-----|
D-|/7-7---7---7-7-7-|/5-5---5---5-5-5-|-0-0-2/3---------|-0---0-2/3-------|
G-|/7-7---7---7---7-|/5-5---5---5---5-|-0-0-------------|-0---0-----------|
D-|-----------------|-----------------|-----------------|---3-------------|
T
...on the ...


Ending:

v ^ v ^ ^ ^ ^ v ^ ^
D-|-5-5-5-5---3-2-0-0---2---3-|
B-|-0-0-0-0---0-0---0---------|
G-|-0-0-0-0---------0---------|
D-|-0-0-0-0---------0---------|
G-|-0-0-0-0---------0---------|
D-|---------------------------|


[This message has been edited by Adrian Freed (edited February 16, 2003).]

[This message has been edited by Adrian Freed (edited February 16, 2003).]

[This message has been edited by Adrian Freed (edited February 16, 2003).]

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sonofagun
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From: thorold ontario canada
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posted 11-21-2005 09:06     Click Here to See the Profile for sonofagun   Click Here to Email sonofagun     Edit/Delete Message   Reply w/Quote
quote:
Originally posted by JohnyB:
I recently bought the Newport Folk Festival - Best of the Blues 1959-1968. It's got a lot of great old blues guys playing on it. House does a tune called Death Letter.

Does any one know what tuning he's using? Also, he gets this really menacing sound in the background that almost sounds like a bee buzzing. Any ideas how to get that. That's actually the most important thing I need to know.

Ok, if you know the chords that would be great too.

Thanks,


not to sure about how those old blues guys tuned thier guitars. I always assumed it was standard tuning - I got alot to learn about tuning though. Anyway mabey the sound on Son house's guitar had alot to do with the guitar he was using. Wasen't he using that American National stell body guitar?

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mondo
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posted 11-21-2005 09:20     Click Here to See the Profile for mondo   Click Here to Email mondo     Edit/Delete Message   Reply w/Quote
sonofagun

welcome to the forum. You are in the right place. Collectively we know a little something about them American National Steel Guitars, and Son House, as a little bit about open tunings. Suggest you do a search of the topics of this forum. You might be surpised.

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skeptiktank
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posted 11-21-2005 10:11     Click Here to See the Profile for skeptiktank     Edit/Delete Message   Reply w/Quote
I think there is a second guitarist in that video, probably the guy from Canned Heat that "retaught" Son House his old tunes. The background stuff sounds i've heard sounds like the old charley patton descending bassline g-f#-f-e

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Mike D
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posted 11-21-2005 13:49     Click Here to See the Profile for Mike D   Click Here to Email Mike D     Edit/Delete Message   Reply w/Quote
humming sound
I have that video too and Howlin' Wolf's band played some electric tunes either before or after House, Bukka White and some other acoustic players. Maybe Hubert Sumlin left his amp on.

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Gavin Eisler
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posted 11-21-2005 15:06     Click Here to See the Profile for Gavin Eisler     Edit/Delete Message   Reply w/Quote
Thanks for the tab Adrian,
Ive got the guitar tuned in open G sitin ready, now fot the midnight oil burning.
Cheers
GE

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Rick H
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posted 11-21-2005 15:28     Click Here to See the Profile for Rick H   Click Here to Email Rick H     Edit/Delete Message   Reply w/Quote
Check out the White Stripes cover of Death Letter.

Rick H

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Rhino
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posted 11-21-2005 21:22     Click Here to See the Profile for Rhino   Click Here to Email Rhino     Edit/Delete Message   Reply w/Quote
Very cool. This has been my co-favorite Son tune (along w Preachin Blues Pt. 1, his tour de force imo) since I had it on a compilation. It wasn't until I bought the video compilation of him playing it where I noticed he sang a different last verse.
I"ve been singing that last verse ever since...
If you haven't heard it, it goes...

I thought I'd never love, but a...
Four woman in my life
My Mother, my sister,
my good gal, and my wife!

2x

That's so cool to me. Replace the "walkin shoes/blues" verse w this one at the end. Fun.

Enjoy!

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scrapper
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posted 11-21-2005 23:52     Click Here to See the Profile for scrapper   Click Here to Email scrapper     Edit/Delete Message   Reply w/Quote
Rhino:
I believe the lyric Son sings is "my kid gal and my wife" and not "good gal and my wife."
"Kid gal" was a girlfriend.
However, for the 21st century, "good gal" is probably better.
Bob
-----------------------------------
I thought I'd never love, but a...
Four woman in my life
My Mother, my sister,
my good gal, and my wife!

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Rhino
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posted 11-22-2005 07:42     Click Here to See the Profile for Rhino   Click Here to Email Rhino     Edit/Delete Message   Reply w/Quote
Hey, nice pick up Bob. So kid gal might be his daughter? I was thinking his good gal was his other woman on the side.
Guess it's not as shocking as I took it. I did drag out the tape of
LEgends of Bottleneck Blues Guitar, which shows him playing this.
I have most all the video out there of Son and this performance I have to
say is one of the best. Seems, unlike many, he hasn't had a drop to drink and
is very alert and lucid, really on his game.

Thanks for the tip, but as you say, I do like good girl for the shock value.

Best, Len
www.vintagenationals.com

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sonofagun
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posted 11-22-2005 22:53     Click Here to See the Profile for sonofagun   Click Here to Email sonofagun     Edit/Delete Message   Reply w/Quote
quote:
Originally posted by mondo:
sonofagun

welcome to the forum. You are in the right place. Collectively we know a little something about them American National Steel Guitars, and Son House, as a little bit about open tunings. Suggest you do a search of the topics of this forum. You might be surpised.


thanks for the welcome Mondo - and thanks for the suggested search about open tuning. I am eager to learn as much as I can about certian styles of playing. I bought this double disk of recordings of Som House in 1965 or 66. On disk #1 there is a version of Empire State Express I would be interested in finding the tabs for.

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Lcwx2
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posted 11-23-2005 06:00     Click Here to See the Profile for Lcwx2   Click Here to Email Lcwx2     Edit/Delete Message   Reply w/Quote
Rhino, to Son House and others of his era, terms like "kid gal", or "kid", or "kid boy" were euphemistic for other stuff on the side, in this case Son's girlfriend on the side. Feel free to reinstate your shock.

Jon

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Rhino
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posted 11-23-2005 06:52     Click Here to See the Profile for Rhino   Click Here to Email Rhino     Edit/Delete Message   Reply w/Quote
Excellent! I love shock value!
Len

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Pappy
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posted 11-24-2005 07:55     Click Here to See the Profile for Pappy   Click Here to Email Pappy     Edit/Delete Message   Reply w/Quote
Adrian, you really have a terrific store of information. What an assett, thanks so much.
My favorite version of the song (maybe because I heard it first) was done by Mike Finnegan, a keyboard player who had done everything from playing on Electric Ladyland ( lazy day, dream away I think ) to playing with Taj Mahal and touring with Crosby Stills and Nash. He did it some years ago but damn that guy can really sing.
Pappy

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ResOGlas
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posted 11-25-2005 10:34     Click Here to See the Profile for ResOGlas   Click Here to Email ResOGlas     Edit/Delete Message   Reply w/Quote
quote:
Originally posted by Rick H:
Check out the White Stripes cover of Death Letter.

Rick H


Yeah, it's really rockin'.

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oldblackguy
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posted 06-29-2006 10:17     Click Here to See the Profile for oldblackguy   Click Here to Email oldblackguy     Edit/Delete Message   Reply w/Quote
I've been working on Louise Mcghee, Sundown and Pearline from his 65 recordings for about a week. If anybody has seen him play these on video or know how to play them any help would be appreciated.

Dick Waterman has said that he found (I dislike the word rediscovered) Son and convinced him to perform again. I don't think Alan Wilson could have "retaught" him to play his songs because most of the stuff he played in the 60's was not previously recorded. However i have read that he helped him polish up after possibly not playing for 15+ years.

[This message has been edited by oldblackguy (edited 06-29-2006).]

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resodziadzu
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posted 06-29-2006 10:39     Click Here to See the Profile for resodziadzu   Click Here to Email resodziadzu     Edit/Delete Message   Reply w/Quote
Is not the buzzing sound the snap of the low D (in open G) string? I believe Bob Brozman's "Bottleneck Blues Guitar" lessons cover this somewhere, or perhaps it's in one of Stefan Grossman's. Thumb is put partially under the string and a good twang is delivered.

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resodziadzu
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posted 06-29-2006 13:04     Click Here to See the Profile for resodziadzu   Click Here to Email resodziadzu     Edit/Delete Message   Reply w/Quote
Follow-up to previous post, it was in Mr. Brozman's "Bottleneck Blues Guitar" lesson 2. bout 42 min. in.

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Phangeaux
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posted 10-15-2006 02:58     Click Here to See the Profile for Phangeaux   Click Here to Email Phangeaux     Edit/Delete Message   Reply w/Quote
I just watched an old black and white film footage of Son playing Death Letter, he sure puts alot of feeling into it which for me is what 'real blues' is all about, and the theme of that song is heavy. This footage is part of a Stefan Grossman video on bottleneck blues so I don't know if it is the same footage that you watched, I think it is due to the lyrics that Rhino mentioned at the end. He is wearing a suit coat in this one

On Edit: However, I just found a clip from a different video, circa 1965- looks more recent where he is wearing a bright white shirt and that double tie (whatever they call those) That clip looks more recent than the first one I mentioned and the playing appears lerss intense as well as having more string noise etc. Microphone is also closer (to the left of the screen in front of him) the other video the mic is quite a bit farther away, an front and to the right of Son.
Here is a link to that short clip as well as a description of the song. The video quality is poor though:
http://en.wikipedia.org/wiki/Death_Letter

These reso guitars were made to play loud back in the old days, and this is where they shine in my opinion- people play them too soft nowdays in my opinion.

Anyhow, it may well be string noise that you hear, I didn't notice anything unusual.

Too bad that these old recordings didn't have modern day recording techniques and equipment to really bring out the true qualities and volume of these performances on these guitars.

In this film he definately sings 'kid gal' and from what I understand of Son House, being first a serious preacher and secondly a recording artist, I would think that his 'kid gal' was a girlfriend NOT at the same time as his wife but at a different time in his life, like his main girlfriend some time prior to meeting and marrying his wife. Those specific lyrics you mention seem to encompass his whole life rather than a specific moment in time. I don't think he would even sing lyrics about having a girlfriend on the side while at the same time being married, so in my opinion he meant at another time. Also he sings that he had no one to throw his arms around. I don't know for sure. It doesn't matter, he is singing about the loss of someone he loved in his life, whoever she was.

I would think that the song is based on a personal experience.

Thanks for posting the TABS, Adrian

-- 
phangeaux

[This message has been edited by Phangeaux (edited 10-15-2006).]

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Sidewalk Bob
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posted 10-15-2006 06:44     Click Here to See the Profile for Sidewalk Bob   Click Here to Email Sidewalk Bob     Edit/Delete Message   Reply w/Quote
Not to be repeatin' what others have said but I've been playin' "Death Letter" like Son and *unlike* Son dependin' on the venue... But when I want to give it the Son sound I play it Open G tuning with a picking style similar to what he does on the Son House video... You kinda have to see it to get it but he keeps his pickin' hand purdy open and horizontal to the body of the resonator (as opposed to a more verticle picking style like a Leo Kotkee) with a lot of emphasis on the "pluck" where he's getting under the bass stering and lifting it up and away from the guitar... The "pluck", BTW, is a ggod thing to master and can be used sparingly in most blues songs that have that "drive" that you get with "Death Letter", i.e. "Red Rooster", "Walkin' Blues", "Preachin' Blues", etc, which are very similar in terms of how they are played...

As for the buzzin' sound??? Well, if you look at the way Son plays with this horizontal and slashing style you'll see that there is a lot of hard contack with the strings... This may account for the buzzing sound you hear... I don't have that particular recording at the Newport Folk Festival but have other recordings of him doing the song...

BTW, from what I have read and heard from Rory Block over the years, Son didn't need to be retaught to play but needed to be re-motivated which took a combination of cajoling, patience, time and booze...

BTW, Part B... Yeah, the White Stripes do a decent job of "Death Letter" but I wouldn't go out and buy the CD because, IMHO, the rest of the CD is rather average...

Hope some of this helps but getting the video will help more than anything... The one I have has Son and Bukka White on the same video... Nice combination, indeed...

Sidewalk Bob

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georgeguitar
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posted 10-16-2006 06:36     Click Here to See the Profile for georgeguitar   Click Here to Email georgeguitar     Edit/Delete Message   Reply w/Quote
right!

http://www.youtube.com/watch?v=En3KfILfF1Q&mode=related&search=

http://www.youtube.com/watch?v=LdMKgEGuoE0


these also may help.

[This message has been edited by georgeguitar (edited 10-16-2006).]

[This message has been edited by georgeguitar (edited 10-16-2006).]

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Danny C
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posted 12-26-2006 12:18     Click Here to See the Profile for Danny C     Edit/Delete Message   Reply w/Quote
i think the buzzing sound you are talking about is made when he creates a kind of drone by double striking the g and b strings with the index finger, up and down, in open g, dunno just my idea

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andrea bonino
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posted 12-26-2006 15:36     Click Here to See the Profile for andrea bonino   Click Here to Email andrea bonino     Edit/Delete Message   Reply w/Quote
Death Letter'd bee one of my Son House favorite in a long time.

I love the way Cassandra Wilson reinvented the tune in her album New Moon Daughter.. Actually got to see her playing it at 2001 Jazz Fundation's benefit at the Apollo theatre in Harlem, with her singing backed by bass player, electric guitar and banjo, all picked very very softly.. wow!

point being: it's ok learning and getting inspired by giants, but why don't leave Son House's version to Son House and make your own one instead?

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andrea bonino
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posted 12-26-2006 16:01     Click Here to See the Profile for andrea bonino   Click Here to Email andrea bonino     Edit/Delete Message   Reply w/Quote
since the problem with Cassandra is no one ever listens to her...


here's a live version of Death Letter:

http://www.youtube.com/watch?v=1b6nYkV7ot8

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eskimo
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posted 12-26-2006 16:06     Click Here to See the Profile for eskimo   Click Here to Email eskimo     Edit/Delete Message   Reply w/Quote
Great call on Cassandra Wilson - her version of Death Letter is superb.

The studio vesion with Kevin Breit playing the solo on tenor banjo is bad-ass...

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